Sunday, October 04, 2015
The Magic of Maro - Victorian Magician
I was instantly intrigued by this magician named Edward Maro. I knew little of him. Actually, one thing I did know was that a huge boulder marked his grave in St. Charles Illinois and it had fallen over at some point. Fellow magician and magic historian Terry Evanswood set out to have the boulder uprighted and had a better foundation placed to hold the boulder in place, this he did several years ago.
But beyond that, I was not familiar with Maro. I did some initial research and I realized I did know a little more about him because I had seen his posters. What his life and career were like I didn't have the faintest. So enter Leland Michigan. I was contacted by a fellow from the Old Art Building, which is sometimes called The W.T. Best Theatre. Turns out, W.T. Best was the real name of Edward Maro. Maro's wife had the building built after his death in 1908 and it was dedicated to him. Well, the folks at the Old Art Building along with the Leelanau Historical Society were interested in seeing if I could do a presentation on Maro. You see, on the side I'm known as 'The Magic Detective', and I enjoy searching out old forgotten magic history mysteries. So the Maro challenge sounded like fun.
After months and months of research, I created a 45 minute power point presentation. This included
How, you might wonder did I know what kind of magic was performed by Maro. Well, mainly through three sources. 1 His elaborate full color posters. 2. A program of Maro's that exists to this day. 3. A smaller program of his that I found within an old magic periodical. These sources helped to point me in the right direction. In the case of the Spirit Dial, there is a photo of Maro's dial in the multi-page program. In the case of the Spirit Slate Trick, I found that referenced in the smaller program and then discovered an actual description of the trick in an older magic magazine from the early 20th Century. The detective work was fun though frustrating at times.
I dug up quite a bit of information on Maro that had not been previously covered in old magic magazines. To my surprise, Kim Kelderhouse of the Leelanau Historical Society also turned up a bit of previously unknown information, which she shared with me at the conclusion of my lecture.
Let me say, I had a wonderful audience for the lecture, they were clearly interested in the subject and the added mix of magic on my part made the event entertaining as well as educational. Oh, and I did present a short Hand Shadow Act in the middle of the lecture as I knew Maro too relied upon Hand Shadows in his presentations.
I had a wonderful time sharing what I had learned about Maro with the residents of Leeland. And now, to my surprise I just found out some more cool Maro stuff from a fellow magic historian. This will have to be added to the file in the event there is a Maro Lecture Part 2.