Sunday, December 29, 2013
Victorian Magic - Book
I must say, it's a really enjoyable history on Victorian Magic. There are a number of things in here that I was not familiar with. The book opens with a chapter on The Great Wizard of the North, John Henry Anderson. The chapter also discusses a lesser known competitor and some of the battles they had together.
Another chapter that I really enjoyed was on Pepper's Ghost and Pepper's Metampsychosis illusions. Fascinating chapter on optical principles once used in the theatre. It was doubly interesting because I was reading it on Christmas Eve just after having watched Charles Dicken's 'A Christmas Carol' on TV. One of the things that is mentioned in the chapter is how the Pepper Optical Principles were used to create the illusion of real ghosts in plays of the Christmas Carol back in the 1800s! The author also gives a fairly good explanation of the Blue Room, probably the most thorough I've ever read (not counting Jim Steinmeyer's book on this exact topic)
The chapter on Robert Houdin was good. It's from a slightly different perspective. It's written from the eyes and of the Londoners who witnessed Houdin's performances in England. Apparently, when Robert-Houdin first began to perform in London he spoke no English. The crowds were not happy with this and according to the book, his solution was to inquire to the audience as to the english name of each item he presented. It became more interactive and the audiences warmed up to him.
The chapter on the Davenport Brothers was also interesting. The brothers were extremely popular in America, but in England they often met with resistance and even hostility. I must add that at this moment the Spirit Cabinet holds an extra amount of interest to me because of the recent presentation by Mike Caveney of Charles Carter's Spirit Cabinet at the Los Angeles Conference on Magic History. I was unfamiliar with the routine he presented and it sure opens my eyes to new ideas for this ancient but still wonderful effect. In addition, the Davenport Brothers leads into J.N. Maskelyne, who I always assumed was already famous at this point in time, but that was not the case. His confrontation with the Davenports actually helped to make a name for himself.
And for the first time that I can recall reading in print, is an explanation on how the famous Egyptian Hall began. Fascinating stuff to say the least.
From a Steampunk point of view it's interesting to see the types of entertainment that Victorian audiences appreciated. From a magic point of view it gives a performer many ideas on material and routine ideas. All in all it's a fine book. I have only seen them for sale on eBay, so best of luck finding a copy!